I realized today while I was looking through some of my old packages and multimedia work how much I’ve improved in such a short time. Looking at my very first shots, I almost cringe every time I think about how I would have done it better. I should have gotten closer. I should have cross dissolved that audio. I should have lit the subject better.
I’m sure a few months from now I’ll say similar things.
The thing about journalism, that I both love and hate, is that it’s a career of no personal satisfaction. What I mean by that, is you’re never completely satisfied with your work. You’re constantly learning and constantly growing. And frankly, I believe if I ever reach a point where I become satisfied with my work, well I should quit journalism.
We are our toughest critics. And it’s that criticism that makes us better– to a certain extent.
But it’s also inspiration that makes us better. And I find inspiration in many thing or many people. One of which I discovered before my time in Tucson, but have recently found a new appreciation for.
Zach Wise works in the multimedia department for The New York Times. One of the things I love about his reel is the style of video and editing that’s unique from any other.
In the meth story I worked on in Tucson, I learned to distinguish between basic videography and artistic videography. Sure, I could’ve thrown my piece together 5 o’clock-news-style. But there’s something much more appealing about editing a piece that almost flows like music. Journalism is really art. And video/ multimedia is the perfect outlet to express that artistic desire.






